Wednesday, September 19, 2018

TOP 5 WEDNESDAY: Classics I Wish Had Modern Adaptations

Top 5 Wednesday is a Goodreads group that posts a weekly "top 5" list for book reviewers to tackle! If you'd like to join in, the group is HERE.

This week's topic was classics I wish had modern adaptations!

As I've been binge-watching The Lizzie Bennet Diaries, and I've been thinking about all the other classics I want to see adapted similarly! 

I'm a huge fan of The Lizzie Bennet Diaries, as well as modern adaptations of books in general, so this pretty much felt like it was tailor-made for me.

5. The Fall of the House of Usher



This is a short story by Edgar Allan Poe that I read in high school, and from the day I read it, I thought it would make an excellent short film set in the modern day. After all, there's no reason it couldn't be set in 2018 -- have a storm knock out the phone signal, or have a blizzard snow everybody into the house, and you're good to go. The story is simple, but incredibly spooky, and I'd love to see it come to life in a new way.

4. Twelfth Night



Besides She's the Man! (Which, don't get me wrong, is a hysterical movie that I will watch anytime.) This is my favorite Shakespeare play, and I think it has great potential for a modern update, especially since we live in a time that's so much more enlightened about gender and sexuality. (Viola is nonbinary, it's canon, fight me.) Also, the Malvolio subplot was made for the era of catfishing. Seriously, can't there be a webseries of this?

3. The Great Gatsby


I know this story is all about the pointless decadence and emptiness of the 1920s, but there's a reason it's still so popular to this day... some things never change. The 2013 film used a lot of modern music, and I'd love to see how it'd turn out taken a step further, moving the action up to modern-day. I'm not saying I guarantee it'd be good, but it'd certainly be interesting.

2. Dracula



The vampire craze that consumed the early 2010s may be over, but let's be real -- I'm never gonna be out of my vampire phase. We already have an excellent modern adaptation of Carmilla in the form of a webseries of the same name -- let's get one for the most famous vampire of them all! I'd love to see the classic, creepy gothic horror brought to life in the 21st century--



No. No. Not like that. Definitely not like that. No no no no no.

1. The Picture of Dorian Gray


PLEASE GOD LET THIS HAPPEN. I love this book so much, and I'd love to see its sense of horror and cynicism translated into a modern-day setting. (It'd also be nice to get a decent film version of it for once. But I digress.) Dorian Gray is a villain protagonist for the ages, and he'd fit in just as easily in 2018 as he did back in 1890. (Baby boomers think my generation is narcissistic? I'll show them narcissistic!) I'm not sure who I'd cast as Dorian, I just know that I need to see this movie that doesn't exist that I just made up.

If any of these adaptations exist and I somehow missed them, please tell me!

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BOOK REVIEW: Wintersong by S. Jae-Jones


TITLE: Wintersong

AUTHOR: S. Jae-Jones

GENRE: fantasy, romance

PLOT SUMMARY: Liesl's grown up hearing stories of the wicked Goblin King, and now, she's going to have to face him head-on. The King has claimed Lisel's sister Kathe as his new bride, and in order to recuse her, Lisel's going to have to journey through the enchanted Underground. Lisel has always been the responsible, protective older sister, and would do anything for Kathe... but what happens when the King becomes something other than her enemy?

FIRST THOUGHTS: I've noticed that this is a book that inspires very... passionate feelings, whether for or against. (Seriously, scrolling through the Goodreads reviews for this book is like walking through a field full of landmines.) I have a feeling that no matter what I say, I'm gonna piss someone off. So, is Wintersong good? Honestly... no. But that question is not the same as, "Is Wintersong enjoyable?" And the answer to that is, "Mostly!"

THOUGHTS ON PLOT: So the main reason I bought this book is because the plot summary had be thinking, "Labyrinth. It's Labyrinth." But that's not a criticism -- that is, after all, one of my favorite movies. I am just 100% convinced this book is the result of S. Jae-Jones watching Labyrinth as a young girl and being sad Jareth and Sarah didn't get married. (And I am completely on board. Is it a problematic ship? Yes. Absolutely. Totally. But she who is obsessed with Phantom of the Opera shouldn't throw stones.) The first half of the book is about Liesl's journey through the Underground, and I really enjoyed that part. I thought it was really creative, and I was so invested in her trials. So it was a real letdown when I got to the second half, and everything sort of started to fall apart. I will say that the second half is a good deal more original than the first, but it's also not nearly as engaging, and it's where I felt that Liesl's character started to get confused. More on that below.

7 / 10

THOUGHTS ON CHARACTERS: So Liesl is a... mixed bag. As a protagonist, she's easy enough to understand and relate to, but she also didn't feel very fleshed-out or relatable, and it feels like her personality does a total 180 halfway through the book. It often felt like her personality was just whatever it needed to be in order to move the plot forward, and that leads to a pretty wishy-washy protagonist. I did genuinely like the Goblin King, as well as Liesl's brother Josef, who I feel was underutilized. I just wish our heroine had had a more concrete identity, so it'd be easier to sympathize and root for her.

6 / 10

THOUGHTS ON WRITING STYLE: So with all my criticisms, you may wonder why I still said this book is enjoyable. Well... the writing is fantastic. The prose is absolutely beautiful, and it really does sweep you up in this enchanted, fantastical world. This is a pretty long book, but whenever I actually sat down and read it (yeah, that whole "read every day" resolution of mine? Didn't happen), I'd often read a hundred pages in one go. While there were sections that felt too wordy or too flowery, overall, I really loved Jae-Jones' writing style, and I'd be curious to see what else she's written.

7 / 10

THOUGHTS ON POLITICAL STUFF: This is a very vanilla story, in that there are no POC, no queer people, and no disabled people. Nothing overtly offensive, but in a world full of diverse reads, the vanilla ones are always a bit of a disappointment. I did appreciate that the story avoided pitting Kathe (the girly-girl) and Liesl (the tomboy) against each other, but since Kathe wasn't used very much, she often felt more like a stereotype than a properly fleshed-out person. The romance is... well, it's definitely not as problematic as Labyrinth (probably helps that we're not seeing adult David Bowie trying to romance a 16 year old here), but I'm not gonna lie, it has issues. But those issues didn't stop me from enjoying the book, and I did genuinely like the couple. (Again, Phantom of the Opera. Stones. Not throwing them.)

4 / 10

FINAL THOUGHTS: This book wasn't quite what I was hoping for, but it was a pretty fun ride, and I'd recommend it to anyone who's looking for a dark, indulgent fantasy read. I'm debating with myself on whether or not to pick up the sequel... If you've read both books and have an opinion, let me know! (No spoilers!)

FINAL GRADE: 6 / 10


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Friday, June 8, 2018

AUTHOR INTERVIEW: Derek Milman


"Derek Milman was born in New York City, and studied English, Theater, and Creative Writing at Northwestern University. He started off as a playwright and screenwriter–his first play was produced in New York City right after he graduated college–and went on to receive an MFA in acting at the Yale School of Drama. As a classically trained thespian (Derek’s favorite word), Derek has performed on stages across the country, and appeared in numerous TV shows and films, working with two Academy Award winning film directors. [...] Derek currently lives in Brooklyn, where he writes fiction full time, wanders the waterfront staring at the Manhattan skyline, plays video games, and buys lime green hoodies made out of locally-sourced hemp."

This author bio was taken from Derek's website, which you can find here. I reviewed his upcoming debut novel, Scream All Night, and now have had the pleasure of interviewing him. Scream All Night is a dark comedy with a backdrop of schlocky horror movies, and it's out July 24, 2018. Don't miss it. You can find my review here.

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Did you always want to be a writer? What made you decide to peruse it as a career?

I've always been writing stuff--short stories, plays, screenplays--even if I took long breaks and didn't write much at all. But it was only about 2013 or so where I think the YA marketplace reached a certain point where I saw a way in, and thought, with my specific voice, I might find success. It was very much about the timing, and where I was creatively.

This is your debut novel. How long did it take, from the start of the writing process to finding out you were going to be a published author?

I got my agent with an earlier YA manuscript I wrote. I've stated this in numerous interviews and panels, so sorry if I'm repeating myself here, but I wrote SCREAM ALL NIGHT while that first manuscript was on submission. That first manuscript got very close--twice!--but didn't sell. SCREAM sold fairly quickly, so looking at just the window of SCREAM, I would say maybe a year. But my relationship with HarperCollins began about three years before that.

What was it like when you found out you were going to be published?

Wonderful relief. Some fear. Lots of excitement. A little bit of disbelief too.

What made you decide to write Scream All Night?

When I broke into the publishing world, people ask you if you have other ideas, and I had had this vague idea about a kid who inherits a horror studio from many years back. People reacted very strongly to it, whenever I told them. Then "life" happened. One of my best friends passed away very suddenly. I had to speak at her funeral. I wound up moving from Manhattan's Upper West Side, where I'd been living for a decade, to Williamsburg, Brooklyn, which was like moving to a different planet. All of this happened in like...a span of two weeks. There's a vivid dreaminess to Brooklyn that absolutely 100% went in to the writing of SCREAM. I can't pretend the whirlwind screwball tone, especially in the funeral scene from the first chapter, that I get asked about a lot, wasn't actually influenced by genuine loss, and is me dealing with that in my own weird way.

Scream All Night is heavily influenced by classic Hammer horror films. What's your favorite Hammer horror?

I listed it on my website, but I have to say Legend of the 7 Golden Vampires. It's a vampire movie crossed with a kung-fu movie. I mean, aren't you comforted we live in a world where that exists?

What are your top three horror movies, Hammer or not?

Rosemary's Baby. The Shining. The Exorcist. They just freak me out every time.

Who is your favorite character in Scream All Night and why?

Oren was a lot of fun to write, because he is so pernicious, yet childlike, self-destructive, yet naïve. Delusional, stubborn, but he's deeply flawed, damaged, but has a good heart. All his absurdities and his unique darkness proved a great challenge. He's one of my favorite creations.

Do you outline? Why or why not?

I do and I don't. I tend to take loose notes, sketch out ideas by hand in a notebook, sitting in a café. Then a lot of it gets filled out, comes alive, at home in front of the computer. The notes just prevent the blinking-mocking-cursor-on-a-white-blank-bright screen thing, that writers fear. I don't formally outline. It feels too regimented to me, like it's academic, not creative. But that's just me. I have a Master's Degree. I wrote a lot of papers in my life. I don't want to be reminded of homework.

If you could choose any three authors in history, living or dead, to have lunch with, who would you choose and why?

Arthur Rimbaud, because I know he would order Absinthe in the middle of the day and spout Symbolist poetry. Donna Tartt, because she's just so cool, and an absolute genius. And Hemingway, so he could take me to a bullfight and I could watch his reactions and how he forms thoughts. Although, I actually went to a bullfight when I was sixteen, in a small French town that bordered Spain. It was so violent and upsetting.

What's your advice for new authors?

Write as much as you can, whenever you can. Write when you feel inspired, and always take notes--on your phone's notes app, a notepad, whatever. Compile those ideas. They'll lead to something one day. No one path is the same. Just because you do something your own way doesn't mean you're doing it wrong. Do what feels best, and works best for you. That can include not writing every single day. You don't have to write every single day to be a real writer. Go see a movie sometimes.

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You can follow Derek on Twitter and Instagram, and you can find his website here. You can pre-order Scream All Night here.

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Thanks a million to Derek for agreeing to this interview! I can't wait for his first book to officially hit the shelves, and I look forward to his next work.

Thank you so much for reading this interview. If you liked it and would like to support my work, click on either of the buttons below to donate -- Buy Me a Coffee is a small, one-time donation, but becoming a Patron has several benefits and rewards. Either way, it's a huge help to me. A special thanks to those of you that choose to contribute! Even if you can't donate, you can feel free to follow me on social media; the links are in the top-right corner.



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Monday, June 4, 2018

BOOK REVIEW: Scream All Night by Derek Milman

NOTE: This book has not yet been released. I was given a free Advance Reading Copy by HarperCollins and Edelweiss in exchange for an honest review. This book will be released on July 24, 2018. If you would like to send me an ARC, please see this page.


TITLE: Scream All Night

AUTHOR: Derek Milman

GENRE: black comedy

PLOT SUMMARY: It's been a few years since Dario got himself emancipated from his difficult, uncaring father, and moved out of Moldavia. Moldavia Studios is more than just a horror movie production company; all the cast and crew members live in the giant castle where the film set is, and once you enter, it's notoriously difficult to leave. After he got emancipated, Dario never intended to go back. But when his older brother Oren calls and says their father is dying and arranging his own funeral (and his own death), Dario decides to return one last time. A wrench is thrown into that plan when the will is read... and Dario finds out that his dad wants him to run Moldavia.

FIRST THOUGHTS: Even though I don't watch horror regularly -- I'm too easily freaked out by jumpscares -- I have always had a soft spot for Hammer horror films. And, as you can probably guess from that summary, this book was heavily inspired by the schlocky horror movies that Hammer created. I wasn't quite sure what to expect from this going in, but just from the concept, I knew I wanted to give it a try. I'm really glad I did; it's not quite what I was expecting, but in a good way. (I will say, though, that I think Goodreads shelving this as "horror" is a bit of a stretch. For a book that's set in a horror movie studio and begins with someone blowing up, it's not very scary.)

THOUGHTS ON PLOT: There are basically two plots going on here: Dario's family drama, and Moldavia potentially going under. I thought that the two storylines were balanced extremely well, and I liked how they both tied in to each other. And, happily, this wasn't one of those books where I heavily favored one plot over the other; they both fit perfectly, so I loved them both. The story moved along remarkably quickly, considering it covers a couple months. I'm not 100% sure how I feel about the ending, but I can't get into the details without totally spoiling it. Overall, the book has a strong hook and an equally strong execution. (I would've liked to see more of Oren's script, though; that shit was hilarious.)

8 / 10

THOUGHTS ON CHARACTERS: I LOVED Dario. He was hilarious, and surprisingly relateable despite his truly bizarre upbringing. I also loved his relationship with his best friend, Jude. (Jude was a great side character, and I lowkey wish he was in the book more.) Their friendship provided a lot of the book's sweeter moments in the middle of all the craziness. Oren was a mixed bag for me; he's a complete douche, but that's basically the point of his character. And he is definitely a douche with personality. I did think the love interest (whose name escapes me) was a little bland; she had a lot of potential, and some of her scenes with Dario were cute, but she sort of blended into the background.

8 / 10

THOUGHTS ON WRITING STYLE: This is another one of those books where I was hooked almost instantly. I got through about 90% of the book in one sitting -- the writing style is incredibly fun and easy to get into. I loved Dario's inner monologue, and a lot of his snarky comments actually made me snort out loud. My only real complaint is that I felt like the flashback scenes weren't quite as naturally sewn into the narrative as they could've been. Sometimes it felt a bit jarring, especially mid-chapter. That said, there aren't a ton of flashbacks, so it's not a huge problem.

9 / 10

THOUGHTS ON POLITICAL STUFF: Nothing to talk about here. There's nothing especially progressive or diverse about this story, but nothing glaringly offensive. (Obviously that's better than the political stuff being bad, but it does make it hard to fill a section...)

5 / 10

FINAL THOUGHTS: If you're looking for a fun, slightly dark story to devour this summer, give this book a read. I doubt I'll be the only one to fly through it. It's a great story about family, as well as a great tribute to the classic Hammer horror movies. Now, if you excuse me, this book has made me want to rewatch my favorites. (Horror of Dracula because I'm basic, and The Vampire Lovers because I'm gay.)

FINAL GRADE: 8 / 10


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An extra-special thanks to Rebecca of MindBuck Media for reaching out to me and sending me this ARC! As the review above shows, I loved it, and I'm so glad I got the chance to read it before it officially hits the shelves. 

Thank you so much for reading this review. If you liked it and would like to support my work, click on either of the buttons below to donate -- Buy Me a Coffee is a small, one-time donation, but becoming a Patron has several benefits and rewards. Either way, it's a huge help to me. A special thanks to those of you that choose to contribute! Even if you can't donate, you can feel free to follow me on social media; the links are in the top-right corner.

If you've read or plan to read Scream All Night, I'd love to hear your thoughts in the comments below!



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Tuesday, May 22, 2018

BOOK REVIEW: My Plain Jane by The Lady Janies

NOTE: This book has not yet been released. I was given a free Advance Reading Copy by HarperCollins and Edelweiss in exchange for an honest review. This book will be released on June 26, 2018. If you would like to send me an ARC, please see this page.


TITLE: My Plain Jane

AUTHOR: Brodi Ashton, Cynthia Hand, Jodi Meadows (The Lady Janies)

GENRE: historical, paranormal

PLOT SUMMARY: Jane Eyre has left her oppressive boarding school to take on a job as a governess, teaching the child of the elusive and mysterious Mr. Rochester. But Jane has a secret: she can see ghosts. This ability has caught the attention of a society dedicated to capturing ghosts, who want Jane to come and work for them. Jane has no interest -- but her friend, Charlotte Bronte does. Charlotte manages to strike a deal with a worker for the society: if she can get Jane to work for them, she gets to work for them, too. But between Jane being in love with Rochester, and Rochester's own secrets, that may be easier said than done...

FIRST THOUGHTS: You may remember that last year, I posted a glowing review of My Lady Jane, a historical fantasy comedy written by the same team of authors. This isn't a sequel, per se, but it's a companion, and has the same general setup. Since I was just a big fan of the previous installment, I was thrilled to get an advance copy of this one. And yet... My Plain Jane just didn't do it for me. It's not that I think it's a bad book, and I can think of people that would like it, but compared to its predecessor, it didn't fulfill its full potential. At least, not in my opinion.

THOUGHTS ON PLOT: Okay, I feel like I should preface this whole review with a disclaimer. I have not read Jane Eyre! (Yes, I managed to get through multiple high-level English classes without being forced to read it. I do intend to read it eventually, I just... haven't gotten there yet.) However, the book was written in a way that even someone who didn't even know what Jane Eyre is could understand what was going on. And, credit where credit is due, I thought the authors did that very well. I think there were a couple references and jokes that went over my head, but the actual plot, nothing was lost. Unfortunately, the plot didn't feel very substantial. My main problem with it was that the Evil Plot that the villains were carrying out wasn't revealed until the last minute. While the "hidden agenda villain" thing can work, here it felt rushed and tacked-on, almost like an afterthought. There were also a lot of plot developments that felt really contrived. Sometimes that was supposed to be part of the joke, but, well... a lame plot point is still a lame plot point, and the jokes weren't funny enough to just shrug it off and move on. (For an example of funny plot contrivances done right, see the "forest of coincidence" scene in Galavant.) There were also a fair number of plot twists, but they all lacked the proper buildup, and just left me going, "...Really?" I think the authors were trying to make it so it wasn't a straight-up rehash of the original novel, but the end result was rather lacking and difficult to get into.

4 / 10

THOUGHTS ON CHARACTERS: Nothing special, which is a real shame. I will admit that this is one place where never having read the original probably detracted from my experience a bit. Part of the fun of retellings is seeing how familiar characters are reimagined and changed. The characters as they were, however, weren't anything spectacular. (Nothing spectacularly bad, either, so that's good, at least.) I liked the way Charlotte was written, but I didn't care much for Jane. I think part of the problem was that Charlotte has such a strong and dynamic personality, so Jane, who's a bit of a shrinking violet, gets lost in the process. Not that there's anything wrong with having a shy and demure main character, but it can be hard to write well, especially when you put them next to someone more outgoing and forceful. The side characters were all pretty one-note, so not much to say there.

5 / 10

THOUGHTS ON WRITING STYLE: Okay, this was the real letdown. By far the best thing about My Lady Jane was the humor, especially in the narration. While this book had some of that, it just wasn't as funny. There were some witty asides here and there that made me chuckle, but it wasn't anything LOL-worthy. It also lacked the same "can't put it down"-ness of the first book. I basically skimmed the last half, just to finish it. I wanted to know how it ended, which is something, but overall, I just wasn't invested.

5 / 10

THOUGHTS ON POLITICAL STUFF: This is a rewrite of a novel from the 1800s; unsurprisingly, there are no POC or queer people to be seen. I personally don't think being set in a historical period is a good excuse for not having any diversity, but I'm also not very surprised. There's nothing glaringly offensive, though.

4 / 10

FINAL THOUGHTS: I can't help but wonder if I'd have liked this book more or less if I'd read Jane Eyre first. Jane Eyre is on my reading bucket list (which you can look at here, if you're curious), so I do plan to read it eventually. As a followup to My Lady Jane, however, this was a major disappointment. I won't let it turn me off from checking out any other books in the series, since they all stand alone, anyway, but as one of my most anticipated books of 2018, this was a huge letdown. Here's hoping the third installment picks up the pace again.

FINAL GRADE: 4 / 10


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Thursday, May 17, 2018

DNF: Those Other Women by Nicola Moriarty


TITLE: Those Other Women

AUTHOR: Nicola Moriarty

GENRE: contemporary

SUMMARY: Poppy's world is turned on its head when her husband dumps her... for her best friend. Things only get worse when Poppy finds out her ex-BFF is pregnant. See, Poppy doesn't want kids. Ever. And she's getting pretty sick of everyone judging her for it. Helped by her new BFF Annalise, Poppy starts up a Facebook group for the other never-gonna-be-moms of the area. At first, the rivalry between the moms and the not-moms is harmless and playful... but then, shit gets real.

HOW FAR I GOT: 62/308 pages

WHY I DIDN'T FINISH: While this book had its strong points -- I liked Poppy, and a lot of her interactions with Annalise were funny -- I just wasn't drawn into it. It was a disappointment, since the judgment placed on women who don't want kids is a struggle I know all too well. I was intrigued by the synopsis, but the book failed to grab me. After skimming the first five chapters, I decided to call it quits. I'm not saying I'll never finish this book -- I didn't get far, after all, so maybe I'll give it another go -- but right now? Nah. Not for me.

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Thank you so much for reading this review. If you liked it and would like to support my work, click on either of the buttons below to donate -- Buy Me a Coffee is a small, one-time donation, but becoming a Patron has several benefits and rewards. Either way, it's a huge help to me. A special thanks to those of you that choose to contribute! Even if you can't donate, you can feel free to follow me on social media; the links are in the top-right corner.

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Wednesday, May 16, 2018

BOOK REVIEW: One of Us is Lying by Karen M. McManus


TITLE: One of Us is Lying

AUTHOR: Karen M. McManus

GENRE: mystery

PLOT SUMMARY: Five students enter detention. Ten minutes later, one leaves in a body bag. The deceased Simon ran an app that spread malicious gossip about the students at his high school, so after his death is found to be a murder, suspicion turns to the four students in detention with him. Bronwyn, the geek, Addy, the princess, Nate, the criminal, and Cooper, the jock, couldn't be more different, and would never be friends under normal circumstances. But now that all four of them are being accused of killing their classmate, they're forced to band together to figure out who killed Simon... and are they being framed?

FIRST THOUGHTS: This book was a wild ride. I wasn't quite sure what to expect going in -- the summary was intriguing, so when my friend Annie told me she'd liked it, I decided to give it a go. The best way I can think of to describe the plot is Riverdale meets The Breakfast Club. It's fun, it's exciting, and it has an eclectic cast of characters to enjoy the ride with. The story had a very cinematic feel to it; it felt almost more like I was watching a movie or a TV show than reading a book. If someone's bought the adaptation rights, I haven't heard about it, but I hope somebody does soon. However, the book on its own is great, and one of the best mysteries I've read recently.

THOUGHTS ON PLOT: I thought the mystery in this book was awesome. It was one of the few YA mysteries I've read that genuinely kept me guessing all the way up until the reveal. When I did find out who killed Simon, I was shocked. I didn't think that the subplots were as good as the main plot, unfortunately. I think that's a side effect of having four viewpoint characters, each of whom has a secret -- things get real complicated, real quick, and things sometimes fall through the cracks. I also thought that the conclusion (specifically, the last chapter) was a bit of a letdown in comparison to the big twist that had come earlier. That said, the mystery was good enough that I still think it was worth my time.

7 / 10

THOUGHTS ON CHARACTERS: This book is very "Breakfast Club," in that each character is presented as a typical high school archetype, but then as the story goes on, we see other layers to them, and see them grow beyond the stereotype. While I liked some of the leads more than others, it was interesting to see all of them grow and mature and change. So while the characters in this book aren't always likable, they are always engaging. And they're definitely realistic. There are times when the main four act like idiots, or say things they shouldn't, or make dumb choices, but, well... ever met a teenager? Now, ever met a teenager who's under extreme stress, and is currently undergoing a traumatic event that will probably change their life forever, no matter how it pans out? Yyyyyeah. Even when I wanted to slap one of the main characters for being stupid, I always understood why they were being stupid. So I can forgive it.

7 / 10

THOUGHTS ON WRITING STYLE: As mentioned above, this book had an incredibly cinematic feel. Just for the hell of it, I decided to challenge myself to get through it in one day, and I did. In fact, I got through most of it in just one sitting. I have no major complaints about the writing style, though I will say that having four viewpoint characters did feel a bit crowded at times, especially since each character narrated their own sections. While all the character voices felt unique, I did think that it would've been better to have one or two narrators instead of four -- they would've been better developed that way.

7 / 10

THOUGHTS ON POLITICAL STUFF: Not bad, not bad at all. For the most part, this isn't a very political story, so the representation is almost entirely incidental. But that's not a bad thing in itself -- as I've said elsewhere on this blog, the idea that books need a "reason" to be diverse is nonsense. That's like saying people in real life need a reason to be gay, black, disabled, or whatever. So I was glad to see that this book wasn't entirely straight and white. That said, I have seen some criticism of how the twist was handled. I can't get too into detail without spoiling it, but I have seen some say that they think the way the book addressed the problem of male entitlement (specifically, white, straight male entitlement), is clumsy at best and outright problematic at worst. While I personally thought the way the book handled it was well-done, I won't tell you what to think. Everyone's free to draw their own conclusions.

7 / 10

FINAL THOUGHTS: This was a solid, easy-to-read, easy-to-enjoy mystery. If you're looking for something a little more daring than standard YA fare, I'd highly recommend it.  I think it'd make a great read for a long bus trip, or a book for when you're trying to get out of a reading slump. Judging from the reviews on Goodreads, reactions to this book and its ending are a tad... divisive, and I can sort of understand why, but I really liked it. No matter your personal opinion on it, I give this book a sold thumbs-up. It's a fun ride, with an ending you won't see coming.

FINAL GRADE: 7 / 10


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